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All abstract and impressionist photography is done in-camera, while shooting, using manual techniques including long exposure & camera motion where the scene becomes the brush that paints light across the camera sensor. Keeping post-processing to the basics is important, so adjustments are mainly made to color, brightness, contrast and cropping. My philosophy is that I do as little as possible, in processing, to alter my images, which makes them mostly in-camera art as opposed to computer-generated art. Also, I believe in leaving in imperfections because removing elements, in my opinion, sterilizes the art.